"An hour a day can be enough." Victor Piñeiro Gives Writing Advice and Discusses His MG Debut TIME VILLAINS

By Sara Truuvert

When your novel is deemed "the greatest idea for a book ever", you're probably on to something. That certainly seems to be the case for debut author Victor Piñeiro, whose novel Time Villains has garnered a starred review from Kirkus and a spot as an Amazon Best Book of the Month. The book promises time-hopping high jinx, historic and literary Easter eggs, and even some one-sentence Puerto Rican recipes.

Time Villains follows sandwich-obsessed Javi Santiago, who has to nail his homework assignment if he wants to pass sixth grade. The assignment seems simple enough: if you could invite any three people to dinner, who would they be? Plus, Javi has his best friend Wiki and little sister Brady to help him. What could go wrong? Turns out, a lot...

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Writing Routines, Agent Queries, and Rollercoaster POVs: Jake Maia Arlow on Her MG Debut ALMOST FLYING

By Sara Truuvert

Sweaty palms, shaking limbs, and the distinct possibility of puking. Am I describing riding a rollercoaster or having a crush in middle school? These two thrill rides collide in Jake Maia Arlow's MG debut Almost Flying.

The novel follows thirteen-year-old Dalia, who has planned the perfect summer: finally ride a rollercoaster and make a new best friend. But when Dalia realizes she might have more-than-friend feelings for the new girl on her swim team, Rani, things start to get complicated.

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My morning writing routine in 2020

Finding it a challenge to carve out time for your writing because of other work or life commitments? I encourage you to join me in my Daily Writing Challenge. Even 100 words a day adds up! I also have an Inkygirl Daily Writing Challenge Facebook Page.

One of my goals in 2020 is to not only be more diligent about writing something FIRST THING in the day, but also not to be so picky about what I write (social media posts don't count, though :-)).

Reason: Last year, I was always trying to work on my middle grade novel first thing in the morning. While my goal of morning writing worked sometimes, there were many mornings when I just had too much going on. I'd be distracted because I'd be on the road, or have morning appointments, be stressed about book illustration deadlines.

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Productivity tip for writers: Learn how to write ANYWHERE and in the pockets of time others might normally discard.

If you're short on writing and revising time, try my Inkygirl Daily Writing Challenge.

Back Burner Writing, Essential Apps and How I'm Squeezing In Extra Writing Every Day

Morning writer.

A bit about my writing background, time management thoughts, how I'm squeezing in extra writing time every morning, apps I've found essential in helping me get into the daily writing habit.

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Productivity tool: Coffee shop sounds, creative productivity and Coffitivity - and a poll

Survey: Do you like background noise while you're working?

Don't know about the rest of you, but I find my background noise preference depends heavily on what I'm working on. When I'm illustrating and am past the early sketch stages, I listen to audiobooks or have episodes of a previously-watched tv shows playing on my second monitor; the key for me is to have something interesting enough for variety but not TOO interesting to distract me from work.

For early creative stages and for writing, I used to prefer silence. These days, however,  I like to have something going on in the background, especially if my work day has been especially long. Music with English lyrics is too distracting, so I listen to Italian progrock but even that can start driving me crazy after a while.

One of my favorite background sounds for intense creative work? Coffee shop noise: murmured conversations, movement, muted clatter of cups and cutlery. I also find having people around who are DOING things stimulating, and I'm less likely to start daydreaming or slack off. I used to go to real-life coffee shops to do my writing, but this has downsides. The expense, for one thing, plus sometimes the conversations taking place around me are a tad TOO interesting.

Looks as if I'm not the only one who finds coffee shops and coffee shop sounds motivating:

How The Hum Of A Coffee Shop Can Boost Creativity - by Anahad O'Connor in The New York Times

Why Some Of Us Get More Done At Coffee Shops - by Kevin Purdy on Lifehacker

Coffitivity Plays Ambient Coffee Shop Noise To Boost Your Productivity - by Melanie Pinola on Lifehacker

For others who like coffee shop sounds in the background while they work, here's one solution:

Coffitivity: Just opening up the website page will start up the sounds of a coffee shop, and you can also get free apps for iOS, Droid and Mac desktop. I prefer the latter because I don't like having my browser open while working because it's too tempting to "just check one more website."

There are choices of other sounds as well, like a campus cafe and lunchtime lounge. Coffitivity has also invited the community to submit sounds to share, so I expect we'll get more choices soon.

How about the rest of you? Do you prefer silence? If not, what do you like to listen to while you work? I'd appreciate you taking a few minutes to answer my 1-2 multiple question poll: Do you prefer background noise while you work?

I'll post results in an upcoming Inkygirl post.

Interview with Jo Knowles on writing process, writer advice & SEE YOU AT HARRY'S

I've been a fan of Jo Knowles ever since reading Lessons From A Dead Girl and even more so after See You At Harry’s (Candlewick, 2012) plus I love her fun and positive tweets from @JoKnowles on Twitter. I've also heard great things about Jo's Pearl and Jumping Off Swings, so am looking forward to reading those next!

 Jo has a master’s degree in children’s literature and taught writing for children in the MFA program at Simmons College for several years. Some of her awards include a New York Times Notable Book of 2012, Amazon's Best Middle Grade Books of 2012, An International Reading Association Favorite 2012 Book, an SCBWI Crystal Kite Award, the PEN New England Children's Book Discovery Award, and YALSA's Best Fiction for Young Adults. Jo lives in Vermont with her husband and son. Her next book, Living With Jackie Chan, a companion to Jumping Off Swings, will be available September 2013.

Q: What's your writing process? What was your writing process for SEE YOU AT HARRY'S?

So far for all of my books, I've just started writing and discovered the book as I went. Not surprisingly, my first drafts are big messes. After I clean things up a bit and have a basic rough draft, I create a storyboard to help me get organized and figure out the themes, plot and rhythm of the book.

Storyboard from Jumping Off Swings.

The storyboard process I use I learned at a workshop with Carolyn Coman. Basically, you get a sheet of paper that's large enough to fit enough squares to represent each chapter of the book. Then you follow these steps:

1. Think of a scene with the strongest image that best represents that chapter. Draw it as best you can in the first box.

Part of a storyboard series from READ BETWEEN THE LINES, Jo's newest project.

2. Write a very brief phrase that describes the point of that chapter and write it in the bottom of the box.

3. Think of the strongest emotion conveyed in the chapter and write it at the top of the box.

Repeat for each chapter, one per box.

Part of a storyboard series from READ BETWEEN THE LINES, Jo's newest project.

This leaves you with a big visual that illustrates the movement of the book both actively and emotionally.

Part of a storyboard series from READ BETWEEN THE LINES, Jo's newest project.

Since my books tend to be less action driven and more emotionally driven, seeing the book this way is a big help. I can see the spikes of emotion and how they play out in the text, and where I need to insert more or less action, or emotional peeks.

Seeing the images also helps me to think about how stagnant certain chapters or groups of chapters might be, and helps me pinpoint where I need to move my character around more. (For example, in PEARL, Bean spent way too much time on the roof, which was her place to escape. I don't know that I would have realized this if I hadn't drawn a storyboard and had that visual.)

Q: What advice do you have for aspiring writers?

Remember that getting published is not a race. I recently read a blog post by someone who had taken three years to sell her first book, referring to her journey as "The Long Road to Publication." Long road? Three years?? Oh my.

In reality, I think the average time it takes most people going the traditional publishing route is more like ten. I think people tend to measure success on how quickly they can sell their first book. This is a shame because speed has nothing to do with it. I think longevity AFTER you sell your book would be a better marker.

Childhood restaurant that inspired Harry's in SEE YOU AT HARRY'S.If you want to be an author, you need to take time to learn the craft and learn it well. Read a thousand picture books. Study the rhythms of your favorites. Type out the text and close- read it without the pictures. Pay attention to the types of details that are in the text versus the ones that are implied or easily and more effectively shown in the illustrations.

The next step is to learn how to revise. To learn how to listen to feedback and make the best use of it. I can't tell you how many aspiring writers I've met who have told me they didn't want feedback because they felt their work was as polished as it could get. But they hadn't shared it with anyone but family members!

One of the hard lessons I learned when I first started out was that I really didn't understand what revision meant. When an editor suggested a revision without a contract, I happily addressed the changes she proposed, but not to the degree I should have. I tweaked, I didn't revise. There is a very big difference.

Revising is rewriting. Not rearranging. Not fixing typos. Not deleting a sentence here and there. That’s what you do at the copyediting stage. Better to learn this with critique partners guiding you than with an editor who doesn’t have the time or patience to teach you him- or herself.

There is just so much to learn and so many early mistakes to be made when you're first starting out. It's worth it to take your time and get lots of feedback from other writers (and make those mistakes with them, not an agent or editor). Not only that, you will develop some wonderful relationships and create a community–a support network–which will be invaluable when you DO start submitting.

I am as impatient as the next person, but for new writers, I can't emphasize this enough: Please don't treat the time it takes you to get published as a race, or measure your journey against someone else's and use that as a marker for success and failure. Instead, think of your journey to publication as a travel experience to savor. The more you learn, the more people you connect with, the better prepared you will be for your final destination. And the more people you will have to celebrate your success with!

Q. What are you working on now? Any other upcoming events or other info you'd like to share?

I'm currently working on two projects. One is a contemporary YA novel called READ BETWEEN THE LINES. After writing JUMPING OFF SWINGS I swore I'd never write another book with multiple points of view, so naturally this book has ten. It's kind of a "day in the life" sort of story about how each character's actions affect the next. While I wait for my editor's comments on that, I've started a humorous middle grade/tween novel tentatively called FROM THE COMPLAINT BOX, about a boy who goes to a funky independent school and the adventures/mischief he gets into with his two best friends. When I told my agent I was writing something funny he said, "That's how you described SEE YOU AT HARRY'S and it made everyone weep!" So, he's suspicious. We'll see!

Where can find out more about Jo Knowles:

Jo Knowles website - Jo Knowles blog - Twitter (@JoKnowles) - Facebook

SEE YOU AT HARRY'S book page

TWEETABLES:

Don't compare w/someone else's progress as your success/fail marker. Savor the journey. @JoKnowles bit.ly/11UDU4K (Tweet this)

Writers: Remember that getting published is not a race. - @JoKnowles: bit.ly/11UDU4K (Tweet this)

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Also see other Inkygirl Interviews.

Creativity & Productivity: Rethinking my social media and blogging habits

Apologies for the hiatus; I've been away most of this month at a writer's conference and then on an anniversary vacation.

Though fun and (esp. in the case of the SCBWI Summer Conference) inspiring, it's been a hectic month, and I'm REALLY looking forward to getting back to work.

And what is that work, exactly? My main short-term goal:

To rethink my social media and blogging habits.

I'm a social media addict. I've been a huge fan of online communities before the term "online community" even existed. These days, however, I'm feeling spread too thin over too many social networks: Twitter, Facebook, Google+, Second Life, various writing and illustration communities, plus all the blogs I either manage or in which I participate as a collaborator.

No, I'm not going to quit cold turkey. Nor do I think social media is inherently a time vampire. It CAN be a time vampire, but in my own experience, it can also be a huge boon to authors and illustrators if properly managed. Most of the publishing opportunities that have come my way have done so because of contacts I've made through social media, or posting and reading blogs.

Recent opportunities, however, have convinced me that I need to better manage my time. There are SO MANY BOOKS I want to write, or illustrate, or write and illustrate. The awards I won at last year's SCBWI Illustration Portfolio Showcase (which resulted in a book contract and heightened interest from publishers) and the Sue Alexander Award nomination I just received for my YA novel in progress have been a much needed kick in the pants.

My long-term goal:

TO GET MORE BOOKS PUBLISHED.

And to do that, I need to finish some projects and get them sent OUT there.

My interim goals:

-- To finish writing my YA novel. Whether or not it wins the Sue Alexander Award, the nomination has convinced me that this novel-in-progress has much more potential than my previous attempts. I've been working on my craft as well as benefiting from the critiques and advice of my MiG Writer group and some of my Torkidlit pals, and I believe that I'm a much better writer now than when I wrote my previous mss.

-- To finish my own picture book projects. Now that I'M BORED (Simon & Schuster, 2012) is nearly finished, I need to have more projects ready to send out: projects that I've written AND illustrated. I've been working hard at improving my illustration craft over the past year. I'm going to continue to work on my craft, of course, but it's time to get some new projects out there.

-- I also have several nonfiction book proposals I need to revamp and send out, such as the compilation of my writer comics.

So....

In order to achieve my long-term goal, I'm going to be taking a hard look at how I spend my time online.

And yes, I do see the irony of blogging about spending too much time online. But I figure I'm not the only one who has this challenge. Some of you have likely found your own solutions.

I'll be posting on my progress (feel free to share yours!)...but not as often as I'd like to. If that makes any sense. :-)

Routines For Writers, Erin Bow and Writing Spaces

One of my favourite sites for writers: ROUTINES FOR WRITERS. Their posts are almost always inspirational and/or informative. Not surprising, considering their tagline: "Helping Writers Write More"

Today's post on their blog is no exception, an interview with Erin Bow. I've always enjoyed learning how about how writers organize a space, and it was fascinating to read how Erin ended up using a pole dance studio for her writing office (!).

I'm also intrigued by the fact that her office has no Internet access, no phone and no doorbell on purpose, so she can totally focus on her writing. Wow, now THAT'S dedication. Since so much my work is tied into being online, I don't think I'd be able to do this.

But hm...maybe a variation? Must think on this...

Meanwhile, congrats to ROUTINES FOR WRITERS on winning an Inkygirl Golden Cupcake Award!

Elizabeth C. Bunce on world-building and novel prep

I've always been interested in reading about other writers' work habits, so I was delighted to see that Cheryl Klein had posted a review with Elizabeth C. Bunce, the author of CURSE AS DARK AS GOLD (which I loved) and STARCROSSED (ooo, must get this).

Elizabeth says that CURSE took three years of "painstaking craft and research" and then six months of revision after the sale. For another book, LIAR's MOON, she did a ton of plotting, outlining and prep before she wrote a single word...and then wrote a solid first draft in just over three months.

Here's Cheryl Klein's full interview with Elizabeth Bunce.

Khaled Hosseini likes to read a few lines from a favourite novel before he starts to write

I find reading about other people's work habits inspiring. The Kite Runner author Khaled Hosseini, for example, typically gets up at 4 a.m. Has some coffee and breakfast, reads the paper, then writes for 2-3 hours before going to his other job. He says that reading a few lines from a favourite novel before he gets started helps him get into the flow of things.

Read more in this Red Room profile.